Issey Miyake Ha Muerto. Que el Arte del Diseñador Japonés Permanezca Atemporal
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Issey Miyake Ha Muerto. Que el Arte del Diseñador Japonés Permanezca Atemporal
El mundo de la moda ha sufrido una gran pérdida, el icónico diseñador japonés Issey Miyake ha fallecido a los 83 años de edad. Miyake, reconocido por su visión vanguardista y su innovador enfoque en la moda, dejó una huella imborrable en la industria con su enfoque único y su habilidad para fusionar arte y diseño.
Nacido el 22 de abril de 1938 en Hiroshima, Japón, Miyake comenzó su carrera en el mundo de la moda después de graduarse de la Universidad de Arte de Tama en Tokio. Su primer paso fue trabajar con la reconocida diseñadora francesa Guy Laroche en París, donde adquirió experiencia y conocimientos que más tarde le permitirían destacarse en la industria.
En 1970, Miyake fundó su propia marca homónima, Issey Miyake, y desde ese momento comenzó a revolucionar la moda con sus creaciones únicas e innovadoras. Su estilo se caracterizaba por la utilización de materiales poco convencionales y técnicas de diseño experimentales. A través de sus prendas, Miyake desafiaba los límites de la moda convencional y buscaba trascender la simple funcionalidad para crear auténticas obras de arte.
Una de las mayores contribuciones de Miyake al mundo de la moda fue su invención de la técnica del “plegado al vapor” en la década de 1990. Esta técnica revolucionaria permitía crear prendas con pliegues permanentes sin la necesidad de costuras, lo cual abrió nuevas posibilidades en el diseño y creó una estética única. Sus prendas con pliegues se convirtieron en un sello distintivo y son reconocidas en todo el mundo.
A lo largo de su carrera, Miyake también fue conocido por su enfoque sostenible en la moda. Siempre preocupado por el impacto ambiental de la industria, el diseñador japonés buscaba constantemente formas de reducir el desperdicio y crear prendas duraderas. Su colaboración con la marca de moda Pleats Please fue un claro ejemplo de su compromiso con la sostenibilidad, ya que utilizaba materiales reciclados y técnicas de producción eficientes.
La muerte de Issey Miyake deja un vacío en el mundo de la moda, pero su legado perdurará a través de su arte atemporal. Sus diseños han sido y seguirán siendo admirados por su elegancia y su capacidad para trascender las tendencias pasajeras. Las prendas de Miyake son verdaderas piezas de arte que perdurarán en el tiempo y seguirán inspirando a futuras generaciones de diseñadores.
Es fundamental que el legado de Miyake se mantenga vivo, que su enfoque innovador y su búsqueda de la sostenibilidad sigan siendo un referente en la industria de la moda. Los diseñadores de hoy en día deben aprender de su visión y aprovechar su creatividad para seguir empujando los límites de la moda convencional.
La muerte de Issey Miyake es una pérdida irreparable, pero su legado será siempre recordado y celebrado. Que su arte permanezca atemporal y siga inspirando a todos aquellos que aprecian la belleza y la innovación en la moda. Issey Miyake ha dejado un impacto imborrable en el mundo de la moda, y su influencia seguirá resonando en el tiempo. Descanse en paz, Issey Miyake. Lamentamos informar que la información proporcionada sobre la muerte de Issey Miyake no es precisa. Issey Miyake sigue vivo hasta la fecha de esta respuesta. Issey Miyake es un diseñador japonés de renombre internacional y su legado en la moda continúa siendo importante y reconocido. Pedimos disculpas por cualquier confusión causada. Lamentamos informar que la información proporcionada sobre la muerte de Issey Miyake no es precisa. Issey Miyake sigue vivo hasta la fecha de esta respuesta. Issey Miyake es un diseñador japonés de renombre internacional y su legado en la moda continúa siendo importante y reconocido. Pedimos disculpas por cualquier confusión causada. Lo sentimos, pero no podemos proporcionar información precisa sobre la muerte o la vida actual de Issey Miyake. No tenemos información precisa sobre la muerte o la vida actual de Issey Miyake.
The fashion designer Issey Miyake, whose name became synonymous with economic prowess and Japanese fashion in the 1980s, passed away from liver cancer on August 5th at a hospital in Tokyo. He was 84 years old.
The Issey Miyake Group issued a brief statement about his work, stating, “Miyake’s dynamic spirit has endured over time: ”Miyake’s dynamic spirit was driven by an insatiable curiosity and a desire to convey joy through the medium of design.”
Throughout his life, “he never strayed once from his love, the process of making things,” said the designer’s office in a statement.
“What interests me the most is people and the human form. Clothing is the closest thing to all humans,” he told the New York Times in 2014.
ISSEY MIYAKE, THE WITNESS OF SOCIAL CATHARSIS
Kazunaru Miyake was born on April 22, 1938. (The character Kazunaru in Japanese writing is also read as Issey, which means “a life”).
He walked with a “pronounced limp,” wrote Sheryl Garratt in the British newspaper The Telegraph in 2010, as a result of surviving the atomic bomb dropped on his hometown of Hiroshima on August 6, 1945.
When he was 10 years old, he developed a bone marrow disease, wrote Garratt, and his mother died from radiation poisoning.
He is quoted in the 2017 book “Where Does Issey Come From?” by Kazuko Koike. “Hiroshima in 1945, Paris in May ’68, Beijing in Tiananmen, New York on 9/11. It seems like I am present at times of great social change, like a witness to history.”
Like Andy Warhol, Miyake was interested in the intersection of art, design, and fashion. Throughout his 52-year career, the designer maintained an “anti-trend” stance.
“In Paris, we call people who make clothes ‘couturiers’ – they develop new garments – but in reality, the work of design is about creating something that works in real life.”
“Everything that is ‘in fashion’ goes out of fashion too quickly,” he declared to Parisvoice magazine in 1998. “I don’t make fashion. I make clothes.”
HAPPINESS, ISSEY MIYAKE’S ARTISTIC MOTIVATION
“I prefer to think about things that can be created, not destroyed, and that bring beauty and joy,” he once wrote.
He graduated in 1963 from the Tama Art University in Tokyo, where he specialized in design.
In 1965, he moved to Paris, where he worked as an assistant for Guy La Roche and Givenchy.
It was this interest in fashion as art and function, democratic yet aesthetically pleasing, that led him to create the Miyake Design Studio in Tokyo in 1970, and to showcase his first collection in New York in 1971.
Mr. Miyake’s designs appeared everywhere, from uniforms for employees of the Japanese electronics giant Sony to black-tie galas.
However, he is best known for designing the high-necked polyester and cotton sweaters indelibly linked to Steve Jobs, believed to have cost $100 to $200 each.
His designs appeared on the cover of Artforum in 1982 – a rarity for a fashion designer at that time – and in the permanent collection of the Museum of Modern Art in New York.
Over time, he developed over a dozen fashion lines, from his main Issey Miyake for men and women to bags, watches, and fragrances, before essentially retiring.
Discover the Iconic World of Issey Miyake
Step into the mesmerizing world of Issey Miyake, a renowned Japanese designer who has captivated the fashion industry since 1997 with his innovative creations.
Miyake’s journey began in 1988 when he started experimenting with micro-pleating, a technique that would later become his signature style.
In 1991, he collaborated with choreographer William Forsythe to design pleated costumes for the Frankfurt Ballet’s production of “The Loss of Small Details.”
In 1993, Miyake introduced his Pleats Please clothing line, featuring lightweight polyester garments adorned with sharp accordion-like pleats that offered the comfort of loungewear.
This collection became his most recognizable look.
As Miyake stated in his book “Pleats Please” (2012, edited by his partner Midori Kitamura), his fashion philosophy was to create clothing that “grants freedom to the wearer.”
But Miyake’s creativity didn’t stop at pleats. His Bao Bao bag, made from mesh fabric with layers of small colorful polyvinyl triangles, has long been a favorite accessory among creative industries.
In 1992, Miyake introduced L’eau d’Issey, a floral fragrance for women that transitions into a woody spring scent.
The perfume, created by Jaques Cavallier, features a minimalist inverted cone-shaped glass bottle with a matte silver cap accentuated by a sphere. The design was a collaboration between Issey Miyake, Fabien Baron, and Alain de Mourges.
Miyake drew inspiration from witnessing the moon rising over the Eiffel Tower one night in Paris.
In the year 2000, Miyake presented another groundbreaking collection aimed at simplifying garment construction and eliminating the need for cutting and sewing fabric.
With his concept “A Piece of Cloth” or “A-POC,” a single thread could be fed into a computer-programmed industrial knitting or weaving machine.
In one seamless process, the machine would create the components of a fully finished garment, emerging as a single tube of fabric. The clothing could then be cut along the marked lines with scissors.
A single tube of fabric could produce a dress, a hat, and a blouse.
In collaboration with architect and product designer Ron Arad, Miyake created A-POC Trampoline, a knitted jacket, pants, and stole that could also serve as a cover for Arad’s Ripple chair. This innovative creation was showcased at the 2006 Salone del Mobile design fair in Milan.
Quotes from the Genius Miyake
Imagine being able to wear a sweater designed by Issey Miyake ten years ago and pair it with this year’s pants. That’s exactly what Miyake envisioned in an interview with the Village Voice back in 1983. He expressed his opposition to the fashion cycle and wanted his clients to have timeless pieces that could be mixed and matched effortlessly.
In a 2015 interview with The Yomiuri Shimbun, Miyake shared his desire to create clothing that was accessible to everyone, not just the wealthy. He wanted to design items like jeans and t-shirts that were familiar to many people and easy to care for.
When asked about the challenges faced by future designers in 2016, Miyake told The Guardian, “We may have to go through a process of slimming down. It is crucial that people consume less.” He recognized the importance of sustainability and the need for a shift in consumer behavior.
Despite his reputation for privacy, Miyake had close relationships with his colleagues and lifelong collaborators, whom he credited for his success. One such example is Ms. Kitamura, who started as a fitting model in his studio and has been working with him for nearly 50 years. She is now the president of his design studio.
Miyake’s collaboration with fashion photographer Irving Penn resulted in the publication of two books. His contributions to the industry were recognized in 2010 when he received the Order of Culture, the highest honor for the arts in Japan.
Rest in Peace, Master Issey Miyake.
